I have been around clay all my life since I come from a family dedicated to the production of crafts made out of clay. As a child I was expected to help my parents because this was our livelihood.
I must confess I never liked to work with clay and being a ceramist never even crossed my mind. This is why I went on to college and majored in Graphic Design.
I didn’t count on how powerful the attraction to clay was as a human experience, at least in may case, so seven years ago I started creating small pieces. I studied the properties of clay and how they could work with my ideas. I made a jug, a traditional vessel used to pull out water from a well. I named it “Transparency”; this was a cut out piece, cut with sharp tip metal blades, and designed in such way that when seen from any angle you could see the other side of the pot. This piece won first price in a statewide ceramic competition.
This is how my career as a Black Clay Ceramic Artist begun. I started out with the right foot so to say but life doesn’t always work like this. I really struggled to sell my art pieces so for a while and temporarily left my art and followed my profession.
The process of creation of a black clay vessel is very lengthy and dependent on the weather. My pieces are totally made by hand, with a traditional pre-Columbian potter’s wheel (a bowl placed upside-down with another bowl placed on top). The potter’s wheel rotates on its axel.
This is how a piece is built and it can take from 5 to 25 days to build depending on the size and complexity of design.
When it is finally built I proceed to trim the excess clay, and start the design, etching, cutting, bas-relief, high relief, pastillaje (small pieces of clay added onto the main surface).
The next step is the first burnishing, done with a mamey fruit seed, a piece of bamboo, or a deer’s antler. The piece is left to dry for approximately 10 days. When ready it is burnished with a quartz stone bringing out the natural beautiful sheen.
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